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The Figurative Artist's Handbook: A Contemporary Guide to Figure Drawing, Painting, and Composition, by Robert Zeller
Ebook Free The Figurative Artist's Handbook: A Contemporary Guide to Figure Drawing, Painting, and Composition, by Robert Zeller
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Review
"Rob Zeller’s debut book on drawing and painting the human figure promises to be one of the most definitive on the subject in decades. Classical, as well as contemporary in scope, it contains images, how-to diagrams, and information about figurative art movements of the past, in addition to profiles of some of the greatest practitioners working today.... The book concludes with a section on artists' painting processes, featuring examples of Zeller’s own work, along with some of the best of his peers, who collectively usher the figurative tradition forward into a new era."—David Molesky, Juxtapoz "Robert Zeller’s book is a welcome reminder of the ongoing importance of figurative art, and the many masterful figurative artists working today. It is at once a comprehensive, practical guide to the construction of the human body—male or female, standing or reclining, viewed from the front or the back, self-absorbed or expressively gesturing—down to the last anatomical and aesthetic detail, and an informative, incisive, critical account of the history of figurative art, a sort of grand tour of the seemingly infinite variety of modes of representation of the figure. Beginning with the treatment of the figure in ancient Egypt and ending with its treatment in the 21st century, Zeller makes it stunningly clear that the representation of the figure, in whatever stylistic mode, is the bedrock of visual art. The book has encyclopedic breadth and analytic depth, and is beautifully illustrated with drawings and paintings, all presenting the body in one or another of many possible positions and situations, all suggesting that we need the mirror of art to insightfully attune to our own bodies."—Donald Kuspit, Distinguished Professor Emeritus of Art History and Philosophy, State University of New York at Stony Brook"The Figurative Artist’s Handbook... is a very beautiful book to look through, so it may be challenging for those who use it as a handbook to let it get dirty and dog-eared, just like the previous generation did with their [Andrew] Loomis books. But used as intended — both for reference and for inspiration — it will achieve its purpose. As its gorgeous plates tell us, there is a rising group of figurative artists who know the importance of learning “the rules” before they break them, which is precisely the opportunity this book intends to offer its most ambitious readers."—John Seed, Hyperallergic“The book brings together three figure-drawing methods—the study of gesture, the structural approach and the atelier method—and synthesizes them to help the artist understand the human figure. Zeller also includes chapters on creativity and on using a sketchbook to take ideas from initial inspiration to a fully developed work… appreciated the book's surprises, including spreads that include not only the finished figurative painting but the preparatory sketches as well.” —Professional Artist
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About the Author
ROBERT ZELLER is an artist who lives and works in Oyster Bay New York. Originally from New Orleans, Zeller received a BFA from the Boston Museum School and Tufts University and an MFA from the New York Academy of Art. He finished his education with atelier training from Jacob Collins at the Water Street Atelier and in-depth anatomical and structural study with the sculptor Sabin Howard. Zeller is the recipient of two Posey Fellowships and a Pollock-Krasner Foundation Grant and has exhibited at galleries in Los Angeles, Houston, Paris, and New York. In 2017, he co curated "The New Baroque" exhibition at Booth Gallery in New York City, The exhibition was based on The Figurative Artist's Handbook, and featured 22 of the best contemporary figurative artists working today.Zeller is also the founder of the Teaching Studios of Art (teachingstudios.com) in Oyster Bay, New York, which he has run since 2009. It is an art school devoted to teaching traditional techniques to artists of all ages and levels of experience.  In addition, Zeller teaches workshops internationally. In 2018, he will be teaching workshops in Rome and in Ireland.  For more about the artist, visit robertzeller.com.
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Product details
Hardcover: 304 pages
Publisher: Monacelli Studio (March 7, 2017)
Language: English
ISBN-10: 1580934528
ISBN-13: 978-1580934527
Product Dimensions:
9.3 x 1 x 11.3 inches
Shipping Weight: 4.2 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
75 customer reviews
Amazon Best Sellers Rank:
#109,330 in Books (See Top 100 in Books)
If I could give this book more stars I would. Let me state that I am not an artist, but have always been interested in how the human figure is drawn. I have several other books on figure drawing, but those didn't catch my interest nearly as much as this one. This book gives you a rich history of figurative art, then takes you forward by describing and instructing how to draw the human figure in various positions. Many beautiful pictures are included to fully impress upon the budding artist how each technical skill is accomplished. I love this book.This book is much more than an artist's text book - it is a work of art in itself. Not all the sketches, drawings and paintings are of young, beautiful people. There are those, but there are very realistic situations of elderly, pregnant, obese, etc...included. My mother would have loved this book as she was a good artist in her own right. I wish this book had come into existence much sooner, but I'm glad it's here now. It's absolutely wonderful and highly motivating for even extreme novices like me to attempt even the most simple figurative drawings, to imparting artistic techniques to the very advanced artist.
I've looked at a lot of books on drawing the figure and I would rate this one of (if not THE) best. Wonderful description of various techniques accompanied by clear and easily understood images. Plus a lavishly illustrated section of works by some of today's top figurative artists. If you only buy one book on drawing the figure, there's a strong argument to be made that it should be this one.
Hands down, the best book on figurative work I've read. If I could own only one book on figurative art (and I have over 70 in my library) this would be the one I keep. I am absolutely serious, I could get rid of every other book on figurative art I own and have everything I need or want in this single book. Just absolutely exceptional. I read it cover to cover my first weekend. Now I'm reworking my way through it as a workbook. Beautiful work.
Although I don't know Rob Zeller personally, I've admired his art for quite awhile. Still, when his book first came out I thought the last thing I needed was another book on figure drawing. I'm extremely glad I went ahead and ordered this. In addition to the gorgeous art, the book is very well written. I especially enjoyed the first (The Great Movements in Figurative Art) and last (The Creative Process) chapters because this type of information isn't always included in instructional figure drawing books. Mr. Zeller did a great job of hitting the highlights of all the major movements without boring us to tears, as so many of the dry art history books do. To the contrary, his writing is concise, informative and entertaining. The last chapter describes the "working method" for a diverse group of artists, including Wyeth (Andrew), Freud, Currin, Assael, Shanks, and Zeller himself. The other standout chapter for me is The Artist's Sketchbook. Mr. Zeller makes a great case for developing a sketchbook habit and especially emphasizes the importance of working from a live model, beginning the chapter by saying, "Making figure drawing a part of your regular routine is a primary means of truly mastering it." I couldn't agree more. He presents lovely sketches of his daughter sleeping with their cat as well as offering a glimpse into the sketchbooks of many other fine contemporary artists. All this and I haven't even gotten to the instructional chapters, which include great information on drawing standing and reclining figures, and portrait drawing and painting. Finding the gesture, establishing proportions, blocking in (anatomy, light, and shadow), modeling form, and making refinements are covered extensively. Mr. Zeller's selection of artwork is truly exceptional and relevant to the text, and the quality of the reproductions are outstanding. Given all this, I was surprised at the reasonable price of this book. Highly, highly recommend!
About a third of the way through this book, author Rob Zeller makes an extraordinary statement. In referring to Andrew Loomis's classic "Figurative Drawing for All It's Worth," he says "The instructional section of this book is a meager attempt to walk in that book's footsteps."Wow. What a statement. I immediately sought out the Loomis book, and was blown away. And while there's nothing meager about Zeller's book, which is an excellent resource, he does have a point.If, like me, you're a beginner with a real commitment to learning figurative drawing, Loomis's book remains the most systematic and comprehensive starting point.Much respect to Rob Zeller for producing a fine guidebook into the fundamental aspects of figurative work: but start with Loomis.
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