Free Download Light from Light: An Anthology of Christian Mysticism (Second Edition)

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Light from Light: An Anthology of Christian Mysticism (Second Edition)

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Review

A valuable supplementary source. --Spiritus: A Journal of Christian SpiritualityIn the twenty-fifth anniversary of The Classics of Western Spirituality this is a major contribution. --Spiritus: A Journal of Christian Spirituality

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About the Author

Louis Dupré, who holds a PhD from the University of Louvain, was before his retirement the T. Lawrason Riggs Professor in Philosophy of Religious Studies at Yale University. His books include The Other Dimension, Passage to Modernity, Religious Mystery and Rational Reflection, Symbols of the Sacred, and several studies in the area of Philosophy. James A. Wiseman, OSB, who holds an S.T.D. from The Catholic University of America, is associate professor of theology there. In addition, he serves as prior of his monastic community in Washington, DC.

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Product details

Paperback: 480 pages

Publisher: Paulist Press; 2 edition (May 1, 2001)

Language: English

ISBN-10: 0809140136

ISBN-13: 978-0809140138

Product Dimensions:

6 x 1.1 x 8.7 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#386,715 in Books (See Top 100 in Books)

I am extremely pleased with this anthology, which has several strengths:(1) It covers virtually the entire span of Christian times, beginning with Origen, whose writings date to the first half of the 3rd century AD, to Thomas Merton, whose writings date the 20th century. In total, 23 figures are represented, including some from outside the Catholic tradition. As such, the reader gets a good feel for how later thinkers built on or react against earlier schools of thought. This gives some value-added to the book, above and beyond the content of the selected writings it contains.(2) It is academically very solid. There are concise but still information-rich introductions to each author, which frame his/her thinking and offer a brief biographical sketch. Importantly, each and every one of the introductions is accompanied by a bibliography, which instills confidence that the editors have done their due diligence, gives the reader the chance to double check what the editors' claims (if so motivated), and offers avenues for further reading and study.(3) The selected writings themselves are very rewarding. Despite the need to pick relatively short entries to fit the limits of a single volume, I felt that every selection was substantive enough to meaningfully communicate some aspects of each figure's theology and philosophy.(4) I'll repeat a point the previous reviewer made, because I think it is important. The writers eschewed (correctly, in my view) the position that mysticism represents some sort of fundamental essence of religions ("perennial philophy"). One great benefit of this approach is that the volume gives a very good sense of each writers' position within the Christian tradition, thereby communicating (in an admittedly limited way, due to the inherent limitations of an anthology) the writers' contributions to the development of Christian thought. This is quite useful for anyone interested in the development of doctrine or in the history of Christianity writ large.Perhaps the most important thing I can say is that I was quite satisfied with the volume when I finished it. Several of selections sufficiently moved me that I have re-read them, which I believe is a testament to the fact that the editors did a fine job of selecting the works they included, and I plan to buy complete--or at least more complete--publications of some of the excerpts in the volume. So I can recommend this book to anyone interested in Christianity generally, Christian mysticism, or mysticism generally. It's a very rewarding read.

from the lives of Christian mystics across the ages. Compared to some other anthologies in my library, this text is readable but still captures the essence of these wise souls. Only wish more of the saints were included.

Good chronological arrangement which complements McGinn's Essential Writings arrangement by stages of the journey.

Light from Light is a very well written anthology of mystical christian saints, I especially liked the numerous commentaries on our Transendent Lord.

Quick deliver, pretty good book.

As with any anthology, a discriminatory selection process requires an exclusion of some authors and works that some readers may feel should have been included. The editors of this work were painfully aware of this problem, but took into consideration the interests and opinions of their readers when revising and updating this anthology. Those who have the first edition, like myself, will notice that some authors were replaced with others (the editors explain the selection process in the Preface). The first edition included French spiritual writers Fenelon, Guyon and Marie of the Incarnation, as well as Maximus the Confessor, William Law, and Henri Le Saux, the first three omitted because of a lack of response and the last three omitted because of a general lack of recognition. Those that were added this time around include Francis and Clare of Assisi, Francis de Sales, Jeanne de Chantal, and Evelyn Underhill. Those that remained include: Origen, Gregory of Nyssa, Augustine of Hippo, Pseudo-Dionysius, Bernard of Clairvaux, Bonaventure, Meister Eckhart, Jan van Ruusbroec, Gregory Palamas, Julian of Norwich, the unknown author of The Cloud of Unknowing, Catherine of Siena, Ignatius of Loyola, Teresa of Avila, John of the Cross, Jonathan Edwards, Therese of Lisieux, and Thomas Merton.The General Introduction is concise, clear and well-balanced. It notably rejects the perspective that sees mysticism as the essence of all religion (the "perennial philosophy" or "universal mystical religion" view) while, at the same time, affirming that a mystical element belongs to the very essence of religion, along with other elements (one is reminded of Friedrich von Hugel's masterpiece on mysticism). Christianity is recognized as distinct from other theistic and non-theistic (pagan) religions. Yet, it is noted that interaction between the various belief systems has influenced Christian theology in general and Christian mysticism in particular.This is an excellent, one-of-a-kind anthology. Each spiritual writer is given a fine introduction, followed by an extended excerpt or two from one or more of their literary masterpieces. Many of the excerpts are taken from Paulist Press' The Classics of Western Spirituality series. Each spiritual writer is given a separate Selected Bibliography, divided into Texts (Edition Used, Other Sources) and Studies. For a general introduction to other Christian mystics, see Ursula King's Christian Mystics. Bernard McGinn's The Presence of God series on Western Christian mysticism provides a more in-depth analysis. See especially his first book, The Foundations of Mysticism. McGinn considers Sidney Spencer's Mysticism in World Religions (OP) as one of the more successful overviews of mysticism in the various world religions. Less successful anthologies include Happold's Mysticism and Huxley's The Perennial Philosophy. Huxley's book assumes that there is only one true universal mystical religion that underlies all the various religions. Again, the editors of this anthology, among many others, reject this reductionistic view which has more in common with the monistic or pantheistic/panentheistic religions than the theistic ones, including the unique Trinitarian theism of Biblical Christianity.

I think many anthologies of Christian mysticism survey too many authors too briefly and the reader struggles to take much out of the book. This anthology does an excellent job of providing accurate and concise introduction to the mystics themselves along with reasonable selections of writings, 10-15 pages in most cases. The book is quite long, but the reader will come away with a good knowledge of each mystic.

Prompt shipping…Very pleased with purchase.

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File Size: 2627 KB

Print Length: 336 pages

Publisher: Abrams Press; 1 edition (May 29, 2014)

Publication Date: May 29, 2014

Language: English

ASIN: B07MWBM5SW

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Story structure books rarely elicit 'meh' reactions--readers either love them as the magic formulas for winning screenplays, or they hate them as hackneyed recipes for mediocrity. This book has generated a fair amount of the latter, particularly with its thesis that all stories are the same.I write as a member of a team. My writing partner is more creative than I am, and a better writer. I am more analytic, and better at story development. Both sides, the analytic and the creative, are essential for good storytelling, which is why we write pretty well together. With that said, this book is for me more than for my partner.There is nothing revolutionary in this book--what is says has been said before, in other places. But it lays out its thesis and argument in an engaging and accessible manner. Read this book before reading Robert McKee--what he has to say will make more sense the first time through. Read it before Blake Snyder--you'll better understand his framework and its limitations.But remember--this is a book of analysis, not creativity. If you belong to the "I just want to tell my story" school of screenwriting, you may view it as a straightjacket on your creativity. If you go down that road, keep in mind that most crappy screenplays are undisciplined attempts by wannabe writers to express some inner vision. Well, that's not what screenplay writing is all about. It's a profession; a highly-disciplined craft of developing and telling well-structured stories that are calculated to appeal to a wide audience. This book will help you learn to do that.

Learning to write well is difficult on one's own. Writers read like crazy, but what they pick up from other writers is often sketchy or just plain wrong. Story structure is not intuitive.John Yorke makes a very good case for the five-act, as opposed to three-act, structure. Most books on writing structure do break the second act into two related parts, which gives you - ta-da! - five parts. Yorke's breakdown of the purpose of these acts, all different but interrelated, makes sense.There's some very good information here, but the entire book is not cram-packed with it. The later chapters are largely skippable. Still, I gave it four stars for a reason: it's in the headline.

What a great book! John Yorke's Into the Woods is a superb exploration of the theory behind storytelling. I wouldn't call it a "how to" book exactly. It takes more of a "here's why" approach. The author is clearly familiar with the worlds of literature, motion pictures, the stage, and television. In fact, he has had a major role in shaping the television industry, especially in Great Britain. Using Hegelian dialectic (thesis-antithesis-synthesis), he helps the reader understand the archetypal structure of drama and the importance of seeing any well-told story as a change arc. His framing of "theme" as a question leads to the most helpful explanation I have yet to read on the subject. If you want to know more about how stories work to bring about transformation, how they seek to resolve arguments related to universal questions, or how they mirror the working of the human mind, you will love this book.

This book is a great introduction/refresher to the foundations of storytelling. I didn't many things that were vastly different than what I've read in other craft books, but the way in which the book is organized, as well as its explanations of concepts, are thorough, clear, and provide many examples, particularly from film.I'd say my favorite part was the dissection of the three-act structure, which is a simplified version of the five-act structure. I've always been baffled at the large chunk of the second act, and wondered why it couldn't be broken up into more pieces because surely SOMETHING has to happen with more detail, right? It does, and I feel that Yorke explains it well here.This book is great as a primer or story structure for newcomers, and a great refresher for those looking to keep their craft sharp.

Referencing a lot of the "how-to" books that most writers have read, the author, John Yorke, explores the basic structure of a good story well told. Using plenty of contemporary examples, he's able to clearly make his point(s). Terrific instructions for anyone just starting out in the writing business and a wonderful refresher for those who already earning a living at it.

I've read many of the books on writing screenplays and fiction, including most of the works that Yorke discusses here. He does a good job of finding their weaknesses, and then posits his own take on how to approach the telling of a story. Because he takes that overall view, this book did a great job of tying them all together for me. His explanation of theme set off a few 'Aha!' moments for me, so I'm thankful for that. It's a fast read that is very efficient with your time, so kudos for that too. Highly recommended!

This is the most informative and least dogmatic book on the structure of story and from that screenwriting ever. It gives you the information you need to think with all the other how to books. This is a why are stories that way book rather than a how to structure a story or screenplay. Very good

A game changer for clarity in story development. The only reason it isn't a five star, is because there isn't enough practical application examples for my liking. But excellent nonetheless.

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Ebook The Sellout: A Novel, by Paul Beatty

Ebook The Sellout: A Novel, by Paul Beatty

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The Sellout: A Novel, by Paul Beatty

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Review

“The first 100 pages of [Paul Beatty's] new novel, The Sellout, are the most caustic and the most badass first 100 pages of an American novel I've read in at least a decade. I gave up underlining the killer bits because my arm began to hurt . . . [They] read like the most concussive monologues and interviews of Chris Rock, Richard Pryor and Dave Chappelle wrapped in a satirical yet surprisingly delicate literary and historical sensibility . . . The jokes come up through your spleen . . . The riffs don't stop coming in this landmark and deeply aware comic novel . . . [It] puts you down in a place that's miles from where it picked you up.” ―Dwight Garner, The New York Times“[The Sellout] is among the most important and difficult American novels written in the 21st century . . . It is a bruising novel that readers will likely never forget.” ―Kiese Laymon, Los Angeles Times“Swiftian satire of the highest order . . . Giddy, scathing and dazzling.” ―Sam Sacks, The Wall Street Journal“The Sellout isn't just one of the most hilarious American novels in years, it also might be the first truly great satirical novel of the century . . . [It] is a comic masterpiece, but it's much more than just that-it's one of the smartest and most honest reflections on race and identity in America in a very long time.” ―Michael Schaub, NPR.org“Beatty, author of the deservedly highly praised The White Boy Shuffle (1996), here outdoes himself and possibly everybody else in a send-up of race, popular culture, and politics in today's America . . . Beatty hits on all cylinders in a darkly funny, dead-on-target, elegantly written satire . . . [The Sellout] is frequently laugh-out-loud funny and, in the way of the great ones, profoundly thought provoking. A major contribution.” ―Mark Levin, Booklist (starred review)“The Sellout is brilliant. Amazing. Like demented angels wrote it.” ―Sarah Silverman“I am glad that I read this insane book alone, with no one watching, because I fell apart with envy, hysterics, and flat-out awe. Is there a more fiercely brilliant and scathingly hilarious American novelist than Paul Beatty?” ―Ben Marcus“Paul Beatty has always been one of smartest, funniest, gutsiest writers in America, but The Sellout sets a new standard. It's a spectacular explosion of comic daring, cultural provocation, brilliant, hilarious prose, and genuine heart.” ―Sam Lipsyte

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About the Author

Paul Beatty is the author of three novels―Slumberland, Tuff, and The White Boy Shuffle―and two books of poetry: Big Bank Take Little Bank and Joker, Joker, Deuce. He is the editor of Hokum: An Anthology of African-American Humor. He lives in New York City.

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Product details

Hardcover: 304 pages

Publisher: Farrar, Straus and Giroux; 1st Edition edition (March 3, 2015)

Language: English

ISBN-10: 0374260508

ISBN-13: 978-0374260507

Product Dimensions:

5.8 x 1 x 8.6 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

942 customer reviews

Amazon Best Sellers Rank:

#99,183 in Books (See Top 100 in Books)

Rather than copy the other very astute reviews, let me just tell you how to read this book. It's challenging, and it doesn't always follow the standard dictates of plot, but you may enjoy it more if you know what to expect.1) It's not a page-turning, finish-in-one-night kind of book. If you try, you'll miss out. I had to read it over several days, each session giving me a hundred things to think about.2) When you get anxious for the plot to pick up, think of it as satirical standup, and read it like you'd listen to the comics to which Beatty's compared, namely Dave Chapelle. (If you're thinking of it as a novel instead of as satire, you can lose the thread of hilarity) When you're overwhelmed by the satire, think of it as a novel and try to piece together the experiences that make up Bonbon's character. It's hard to get hold of his character at times, and trying to summarize Bonbon Me's character is a (rewarding) reading experience in and of itself.3) You may want to have google at hand so you don't miss out on the plethora (this word is on my mind after one particularly funny bit near the end), of cultural and historical references. You might know Plessy v. Ferguson and the scopes trial, but it would be hard, I think, to catch every reference, and the satire depends on them.4) Yes, it's funny, but not in the LOL way as often as 'that so true it's painful' way. Reading the reviews, I expected to be chuckling every few pages. Instead I had a wry grin every few sentences. Don't let this deter you. The verbs come at the end of sentences so often that you really have to read it at a run if you don't want to lose the thread of what's going on, but I can guarantee the thread is worth catching. In the last few pages of the book, Beatty comes as close to speaking to you plainly as the author as he does in the entire novel, and what he had to say tied the its many disparate observations together perfectly.

Who writes like this? I asked myself, having been overwhelmed with satiric jabs after about 25 densely written pages. Ishmael Reed? And then why compare Beatty only to another black writer? Was that racist? Woody Allen wrote this densely, stories full of caricatures and outrageous situations, but New-York-Jewish in subject, and then only a few pages long, not an entire novel. Surely Beatty couldn't keep it up.But by page 227 his comic inventions were still going strong. Here the protagonist converts the "long out-of-business brushless car wash" in his L.A. ghetto into a "tunnel of whiteness" for the local children, with "several race wash options:"Regular Whiteness: Benefit of the Doubt Higher Life Expectancy Lower Insurance PremiumsDeluxe Whiteness: Regular Whiteness Plus Warnings instead of Arrests from the Police Decent Seats at Concerts and Sporting Events World Revolves Around You and Your ConcernsSuper Deluxe Whiteness: Deluxe Whiteness Plus Jobs with Annual Bonuses Military Service Is for Suckers Legacy Admission to College of Your Choice Therapists That Listen Boats That You Never Use All Vices and Bad Habits Referred to as "Phases" Not Responsible for Scratches, Dents, and Items Left in the SubconsciousBy "dense," I mean that almost every sentence contains a comic explosion, a twist, something that leaves you breathless or laughing out loud. Who does that? I thought of Barry Hannah, a Southern writer now gone. I think Hannah would have admired Beatty and recognized a literary kinsman. Also, something about Beatty's writing seemed to come from African-American oratory, its ornateness maybe, like Stanley Crouch's writing about jazz, but it wasn't self-conscious. Certainly the point of view was uniquely African-American, and I'm sure as a white reader I missed some of the inside humor. But plenty hit home with me, and would with almost any other half-alert citizen of this great land.Speaking of which: this is a horrible time in our culture—with everyone's cell phones recording the underbelly of brutal racist policing, with political reactionaries running amok—to be attempting satire. It damn well better be funny. Beatty succeeds with a scenario that's not only side-splitting but right up to the minute. (I'm tempted to give more examples but will forbear) He's brilliant. (He's also profane and vulgar, as how could he not be? The n-word alone is used probably 1000 times)Chris Rock can be devastatingly funny sometimes. Key & Peele can be outrageously funny sometimes. Making a barb leap off the written page is harder. As one critic said: Beatty can reduce a sacred cow to hamburger with one sentence.

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Download PDF Kpop Finger Heart Sign Saranghaeyo Oppa Notebook for Girls: Korean I Love You Back to School Gift Journal for Kdrama Fans, Boy Group Bias, and Teens, College Ruled, Letter Sized

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Product details

Paperback: 120 pages

Publisher: Independently published (September 4, 2018)

Language: English

ISBN-10: 1720074844

ISBN-13: 978-1720074847

Product Dimensions:

8.5 x 0.3 x 11 inches

Shipping Weight: 13.1 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#1,474,878 in Books (See Top 100 in Books)

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Product details

File Size: 2836 KB

Print Length: 1955 pages

Simultaneous Device Usage: Unlimited

Publication Date: February 23, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07NZDZ7QL

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Amazon Best Sellers Rank:

#34,936 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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