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Product details
File Size: 2627 KB
Print Length: 336 pages
Publisher: Abrams Press; 1 edition (May 29, 2014)
Publication Date: May 29, 2014
Language: English
ASIN: B07MWBM5SW
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Amazon Best Sellers Rank:
#51,854 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Story structure books rarely elicit 'meh' reactions--readers either love them as the magic formulas for winning screenplays, or they hate them as hackneyed recipes for mediocrity. This book has generated a fair amount of the latter, particularly with its thesis that all stories are the same.I write as a member of a team. My writing partner is more creative than I am, and a better writer. I am more analytic, and better at story development. Both sides, the analytic and the creative, are essential for good storytelling, which is why we write pretty well together. With that said, this book is for me more than for my partner.There is nothing revolutionary in this book--what is says has been said before, in other places. But it lays out its thesis and argument in an engaging and accessible manner. Read this book before reading Robert McKee--what he has to say will make more sense the first time through. Read it before Blake Snyder--you'll better understand his framework and its limitations.But remember--this is a book of analysis, not creativity. If you belong to the "I just want to tell my story" school of screenwriting, you may view it as a straightjacket on your creativity. If you go down that road, keep in mind that most crappy screenplays are undisciplined attempts by wannabe writers to express some inner vision. Well, that's not what screenplay writing is all about. It's a profession; a highly-disciplined craft of developing and telling well-structured stories that are calculated to appeal to a wide audience. This book will help you learn to do that.
Learning to write well is difficult on one's own. Writers read like crazy, but what they pick up from other writers is often sketchy or just plain wrong. Story structure is not intuitive.John Yorke makes a very good case for the five-act, as opposed to three-act, structure. Most books on writing structure do break the second act into two related parts, which gives you - ta-da! - five parts. Yorke's breakdown of the purpose of these acts, all different but interrelated, makes sense.There's some very good information here, but the entire book is not cram-packed with it. The later chapters are largely skippable. Still, I gave it four stars for a reason: it's in the headline.
What a great book! John Yorke's Into the Woods is a superb exploration of the theory behind storytelling. I wouldn't call it a "how to" book exactly. It takes more of a "here's why" approach. The author is clearly familiar with the worlds of literature, motion pictures, the stage, and television. In fact, he has had a major role in shaping the television industry, especially in Great Britain. Using Hegelian dialectic (thesis-antithesis-synthesis), he helps the reader understand the archetypal structure of drama and the importance of seeing any well-told story as a change arc. His framing of "theme" as a question leads to the most helpful explanation I have yet to read on the subject. If you want to know more about how stories work to bring about transformation, how they seek to resolve arguments related to universal questions, or how they mirror the working of the human mind, you will love this book.
This book is a great introduction/refresher to the foundations of storytelling. I didn't many things that were vastly different than what I've read in other craft books, but the way in which the book is organized, as well as its explanations of concepts, are thorough, clear, and provide many examples, particularly from film.I'd say my favorite part was the dissection of the three-act structure, which is a simplified version of the five-act structure. I've always been baffled at the large chunk of the second act, and wondered why it couldn't be broken up into more pieces because surely SOMETHING has to happen with more detail, right? It does, and I feel that Yorke explains it well here.This book is great as a primer or story structure for newcomers, and a great refresher for those looking to keep their craft sharp.
Referencing a lot of the "how-to" books that most writers have read, the author, John Yorke, explores the basic structure of a good story well told. Using plenty of contemporary examples, he's able to clearly make his point(s). Terrific instructions for anyone just starting out in the writing business and a wonderful refresher for those who already earning a living at it.
I've read many of the books on writing screenplays and fiction, including most of the works that Yorke discusses here. He does a good job of finding their weaknesses, and then posits his own take on how to approach the telling of a story. Because he takes that overall view, this book did a great job of tying them all together for me. His explanation of theme set off a few 'Aha!' moments for me, so I'm thankful for that. It's a fast read that is very efficient with your time, so kudos for that too. Highly recommended!
This is the most informative and least dogmatic book on the structure of story and from that screenwriting ever. It gives you the information you need to think with all the other how to books. This is a why are stories that way book rather than a how to structure a story or screenplay. Very good
A game changer for clarity in story development. The only reason it isn't a five star, is because there isn't enough practical application examples for my liking. But excellent nonetheless.
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